Wednesday, August 31, 2005
Numerology
Those 10 letters total to 54
There are 4 vowels and 6 consonants in your name.
The expression that you exhibit is represented bythe number 9. Your talents center in humanistic interests and approaches. You like to help others as you were intended to be the 'big brother or big sister' type. You operate best when you follow your feelings and sense of compassion, and allow yourself to be sensitive to the needs of others. You work well with people, and have the potential to inspire. This suggests that you could successfully teach or counsel. Creative ability, imagination and artistic talent (often latent) of the highest order are present in this expression. It's possible that you're not using or developing all of these capabilities at this time. Some of your talents may have been used at an earlier time in your life, and some may still be latent. Be aware of your capabilities, so that you can make use of them at appropriate times.
With an 8 soul urge, you have a natural flare for big business and the challenges imposed by the commercial world. Power, status and success are very important to you. You have strong urges to supervise, organize and lead. Material desires are also very pronounced. You have good executive abilities, and with these, confidence, energy and ambition.
You dream of casting the light of illumination; of being the true idealist. You secretly believe there is more to life than we can know or prove, and you would like to be provider of the 'word' from on high.
Sunday, August 28, 2005
Black
Democracy don't work (sometimes)
Tuesday, August 23, 2005
Points planning
Sunday, August 21, 2005
Imagined reality
Friday, August 19, 2005
Five Levels of Visual-Textual Analysis
This is another 'for my own reference' entry, additional reading material for my ADM431 - Western Art History.
- Form, composition volume, mass.
- Material and Technique
- Line
- Colour & Light Additive Subtractive
- Texture
- Actual space
- Illusional space
- Perspective Foreshortening,
- Proportion & Scale: (relative)
- Carving & Casting Subtractive Additive
2) Iconographic Level: Preferred Readings
eg. Christ beard.
- The “unkempt but golden hearted working-class” is a trope pertaining to class ideology,
- The Oprah Winfrey spiritual “Mammy” with advice for all, is a trope pertaining to race/class/gender ideology,
- The blonde bombshell is a trope pertaining to gender/sexuality ideology,
- The sensual native or “noble savage” is a trope pertaining to colonial, sexual ideology,
etc. - What sorts of binaries are at stake in these representations and how do they serve to stratify/hierarchise the visual/textual universe of the examples chosen?
- EG Young/old
- Male/female
- Occidental/Oriental
- Cerebral/Corporeal
- Man/animal
- At the time at which the image was produced
- In contemporary visual culture
Wednesday, August 17, 2005
For the artistically inclined
Timeline of Western Philosophy
Timeline of Western Philosophy
ANCIENT PHILOSOPHY
The PreSocratics:
Ionian: Thales, Anaximander, Diogenes of Apollonia, Anaximenes, Heraclitus
Pythagoras
Eleatic: Xenophanes, Parmenides, Zeno
Pluralists: Empedocles, Anaxagoras
Atomists: Leucippus, Democritus
Sophists: Protagoras, Gorgias, Hippias, Prodicus
Socrates and Followers
Megarians: Euclides Stilpo
Cynics: Antisthenes Diogenes of Sinope
Cyreanics: Aristippus
Plato and Followers
Academy: Carneades
Aristotle and Followers
Peripatetics: Theophrastus
The Hellenistic Philosophy
Epicureanism: Epicurus, Lucretius Diogenes Laertius
Stoicism: Cleanthes, Chrysippus, Epictetus
Skepticism: Pyrrho, Timon, Aenesidemus
Eclecticism
Roman Philosophy: Cicero, Neo-Platonism, Plotinus
MEDIEVAL PHILOSOPHY
Early Middle Ages: Origen, Augustine
High Middle Ages: Anselm, Lombard, Aquinas, Scotus
Late Middle Ages: Eckhart, Ockham
RENAISSANCE AND EARLY MODERN PHILOSOPHY
Humanism: Pico, More, Erasmus
Reformation: Luther, Calvin
Scientific Revolution: Copernicus, Kepler, Galileo, Bacon, Newton
Skeptics and Fideists: Montaigne, Gassendi, Bayle, Pascal
MODERN PHILOSOPHY
Continental Rationalism: Descartes Spinoza, Malebranche, Leibniz
British Empiricism: John Locke, George Berkeley, David Hume
Deism: English Deism, French Deism, Herbert of Cherbury, Bolingbroke, Pain
French Enlightenment: Encyclopedists, Voltaire, Rousseau, Diderot, Helvetius
Natural Theology: Paley
Modern Political Philosophy: Machiavelli, Hobbes, Pufendorf, Mandeville, Rousseau,
Beccaria, Wollstonecraft, Burke, Godwin
Modern Moral Philosophy: Clarke, Cudworth, Cumberland, Shaftesbury, Butler,
Hutcheson, Price, Bentham,
Scottish Common Sense: Kames, Reid, Beattie, Oswald, Stewart, Brown, Abercombie
Kant
19TH CENTURY PHILOSOPHY
German Idealism: Hegel, Jacobi, Schopenhauer, Von Hartmann, J.G. Fichte, I.H. Fichte,
Lotze
English Idealism: Hamilton, Caird, Sterling, Hodgson, Ferrier, Stephen, Bradley
American Idealism: St. Louis Hegelians
Evolutionists: Huxley
Late European: Nietzsche, Marx, Kierkegaard, J.S. Mill
20TH CENTURY PHILOSOPHY
Early American Philosophy: Peirce, James, Dewey
Early Analytic Philosophy: Frege, Russell, Wittgenstein, Moore, Reichenbach, Carnap,
Hempel, Logical Positivism, Berlin Circle, Vienna Circle
Russian Philosophy: Bakhtin, Solovyov, Shpet
Continental Philosophy, Phenomenology, Existentialism: Husserl, Freud, Heidegger,
Sartre, Camus
Recent Moral and Political Philosophy: Ross, Toulmin, K. Baier, Rawls, Nozick
Recent Metaphysics and Epistemology: Quine, Ryle, Kripke, Putnam, Davidson
Monday, August 15, 2005
Harry Potter and other ramblings
Friday, August 12, 2005
SMS
Monday, August 8, 2005
网上漫游
Friday, August 5, 2005
Western art history lesson 1
- To embody the power/ spirit of the absent object.
Imagine how will you feel if somebody tear up the photo in your wallet or delete the photo in your hp. A photo is not merely a photo.
- To make an impression, to make one's presence felt. To leave something (spirit) behind.
This's just like why we delibrately leave footprints in the sand. And I think this's also why we write blogs.
~ Art does NOT reflect reality. All art forms are Representations.
- All objects in art are not what they really are. They are presented in a way the artist sees it.
- Even a simple photo of a horse does not really really show a real horse.
~ History is a battleground of claims and counter claims, stories and counter stories.
- However that doesn't mean one can tell any story one like. One must say a good story.
- Or if one wants to tell a bad story, one must have a huge army behind him, just like a certain US president.
- This classification is a political construction as a result of the clashes of civilisations
- It's actually a project to create a western/eastern identity.
It seems that elective lecturers love to unplug us from the matrix - show us that things are not really what it seems. Our Chinese Cinema lecturer also told us something along this line about patriarchal society, binary culture etc etc. Anwz, let us go on to the last and most interesting point.
~ Any story is as much about Erasure or Absence as it is about Presence.
- Imagine a beautiful oil painting with a nude Turkish lady lying on the bed, eyes gazing somewhere out of the picture - our lecture example.
- To appreciate the picture, we do not only look at what's in the picture, but also what's outside the picture. So what's absent?
- Obviously, her clothes were not there. Why?
- A deeper step: the person/thing she's looking at is not in the picture. Who? What?
- Think out of box: the reason why artist drew this picture is also not in the painting. To whom did he paint it for? Why? Does it show the power of western countries over Turkey? Or does it show westerner's impression of Turkey as an exotic country?
Actually this is similar to the way we were taught to appreciate (and write) chinese calligraphy. Calligraphy is not all about how nice the words are, but also about how the words are positioned such that the white empty spaces are as nice as the black words.
One learns something new everyday.
An enlightening and enjoyable evening.
Monday, August 1, 2005
Filmographies of chinese directors
Compiled the filmographies of some of the more famous chinese directors during my chinese cinema module last sem. Put here for reference purposes.
Filmography of Wong Kar Wai
As Tears Go By (1988)
Days of Being Wild (1991)
Chungking Express (1994)
Ashes of Time (1994)
Fallen Angels (1995)
Happy Together (1997)
In the Mood for Love (2000)
2046 (2004)
Filmography of Zhang Yi Mou
Red Sorghum (1987)
Codename Cougar (1989)
Judou (1990)
Raise the Red Lantern (1991)
The Story of Qiu Ju (1992)
To Live (1994)
Shanghai Triad (1995)
Keep Cool (1997)
Not One Less (1999)
The Road Home (1999)
Happy Times (2001)
Hero (2002)
House of Flying Daggers (2004)
Filmography of Lau Wai Keung
Ultimate Vampire (1987)
Young and Dangerous I ~ III (1996)
Young and Dangerous IV (1997)
Young and Dangerous Prequel & V (1998)
The Storm Riders (1998)
A Man Called Hero (1999)
The Legend of Speed (1999)
The Duel (2000)
Sausalito (2000)
Young and Dangerous VI (2000)
Dance of a Dream (2001)
The Wesley's Mysterious File (2002)
Infernal Affairs I (2002)
Infernal Affairs II & III (2003)
Initial D (2005)
Filmography of Tsai Ming Liang
Rebels of the Neon God (1992)
Vive L’amour (1994)
The River (1997)
The Hole (1998)
What time is it over there? (2001)
Good Bye, Dragon Inn (2003)
The Wayward Cloud (2005)
Filmography of Peter Chan Ho Sun (Chen Ke Xin)
He’s a Woman, She’s a Man (1994)
Comrades, Almost a Love Story (1996)
Three (Going Home) (2002)
Filmography of Joan Chen
Xiu Xiu (天浴)(1998)
Autumn in New York (2000)
Filmography of Stephen Chow
King of Destruction (1994) (破坏之王)
From Beijing with Love (1994)(国产零零七)
God of Cookery (1996) (食神)
Forbidden City Cop (1998)(大内密探零零八)
The King of Comedy (1999)(喜剧之王)
Filmography of Liang Zhi Qiang
That One Not Enough (1999)(那个不够)
Not Stupid (2002)(小孩不笨)
Homerun (2003)(跑吧,孩子)
The Best Bet (2004)(突然发财)
I do, I do (2005)(爱都爱都)
“Fifth Generation Filmmakers” - directors such as Chen Kaige and Tian Zhuang Zhuang
“New Wave” directors - Allen Fung (Fang Yu Ping), Tsui Hark, Ann Hui, John Woo, Stanley Kwan